Love A Lady at Midnight by Charlie Lane

Love A Lady at Midnight by Charlie Lane

Rating: 5 stars out of 5

"'She liked learning something new about him, liked knowing it was possible to know someone for six years and still stumble upon mysterious corners of them."

Once in a while, you pick up a book that makes you wonder who this author is, and why you haven't  had the opportunity to fall in love with them before-- and then be glad that you haven't, because now you can go and read everything else they've ever written and fall in love over and over again. Last month I was lucky enough to experience this with Jackie Lau. This month Charlie Lane is that author for me, and this little gem of a book was a delightful introduction to her and her work.

The basic premise of Love a Lady at Midnight is simple enough: Gwendolyn and Jackson have been working together for 6 years. They've been in love with one another for most of that time, though he's a great deal more obvious about it than she is. The book opens with them finally indulging their more carnal desires before taking a huge step backwards, despite it being obvious to everyone, including both of them, that they are mad for one another. Gwendolyn steps back because she's running from a past of accidental bigamy and is terrified of hurting Jackson and his family if this comes to light. Jackson only steps back because he knows Gwendolyn wants that-- he doesn't know why. 

Where Lane really shines compared to other authors in the historical romance genre is in her characterizations. Gwendolyn and Jackson are the chef's kiss of historical romance characters. Jackson is wildly passionate, but also steady-- he knows what he wants, he sticks to what he wants, and he is willing to do anything to get it. But he's also able to change his plans and adapt when it seems necessary, without sacrificing any of the passion and emotion that make him so wonderful. He's incredibly patient, loyal, and devoted, which is exactly what Gwendolyn needs.

For her part Gwendolyn is an extremely intelligent, strong, and talented woman, but she's so haunted by her past that when the book opens she's a shell of who she could be. Watching her gain confidence and come into her own as a woman who is unafraid to face who she is, what she's done, and what she wants is an incredibly rewarding experience. The reactions of those around her to her past were masterfully done, and no minor character was wasted in this book. From the innocent questions of children about Gwendolyn and Jackson's obvious unresolved sexual tension to the truly heart-warming relationship between Jackson's uncle and aunt everyone played their part exquisitely and left me with warm feelings not only toward Gwendolyn and Jackson, but toward everyone else too.

The romance was incredibly well executed. You could really feel the years of history between these two characters, and how much deeper and sweeter all of that history made their connection. I also loved that the hero was a virgin-- I'm not a big fan of that trope, but Lane didn't unnecessarily lean into it, it was just presented as a fact, and he was a fully competent lover regardless.

I won't lie-- the ending here is obvious almost before the story has begun, but it doesn't even matter because it's SO delightful watching both Gwen and Jackson do the hard work necessary to get their happy ending.

I'd recommend this to anyone who loves historical romance, you won't be disappointed by this poignant love story.

I received an ARC from NetGalley and BookBuzz.net in exchange for an honest review.

One Wedding and an Earl by Tracy Sumner

One Wedding and an Earl by Tracy Sumner

Rating: 4 stars out of 5

"'I like plants because they change. I transform them.
'I like stars because they're constant. I transform nothing."

Dear reader, it's thanks to this book that I personally know my historical romance limit-- 2 a week is enough for me, 3 is really pushing it. I'll definitely be reviewing different genres in the coming days, but I wanted to finish reading this and get a review out before it publishes tomorrow!

This novel follows Necessity, the best gardener in London, and Oliver, an Earl whose fraught childhood and horrible father have left him with all kinds of scars.

These two had explosive chemistry from their first meeting. The tension between them was palpable and I couldn't wait for the fireworks between them to finally go off. Watching them both slowly bring their walls down was a delight, and I loved how multi-faceted they both were-- I was never sure what exactly one of them might say or do next.

Sumner has a deft hand with detail and description. We know that Necessity smells of rain and earth, and that Oliver's eyes are moonlight striking stone. She also gives each chapter a diverting title-- sometimes I wanted to skip ahead just to see what the next one would be. My personal favorite was 'Where an Intrepid Gardner Seethes and an Arrogant Earl Persists."

Necessity is a very strong main character, the exact kind of female I love to read about in this time period. She is independent and would rather remain so than settle; she's interested in exploring in the bedroom and not ashamed of that, and she has many interests outside of Oliver to keep her busy and happy-- though of course, she just might come to decided that she's happier with him. 

Despite this, there were a few things that prevented me from giving this a 5-star rating. One is superficially petty--I could not fully get over the heroine's name. I understand the concept of virtue names, but this one is so uncommon as to be confusing. Often paragraphs would begin with her name and I'd initially not fully grasp that they meant a person-- I'd be thinking what necessity? Where? The cutesy nickname of 'Nessie' bestowed on her by Oliver didn't make the name any better for me, but at least eliminated my confusion.

My other complaint concerns the wider story beyond the romance. I feel that it's incredibly important for books in historical romance series to be able to stand alone. If you following a series and are able to gain additional enjoyment from seeing the characters you fell in love with in prior books again, that's amazing, but it shouldn't be necessary to the book you are currently reading. When it is, I think it's a huge barrier to new readers and even to old ones who may not vividly remember characters from prior books. There were several moments when it was difficult for me to follow the dynamics and relationships between Oliver, his friends, and their wives. I found myself first trying desperately and fruitlessly to understand what was going on with these characters backstories, and then just skimming past them to focus on the romance and the relationship between Oliver and his brother. I wish the author had done the same.

I would recommend this to fans of Historical Romance, but if you haven't read the other books in the Duchess Society series I think you have to brace for not always fully understanding who's who and what's going on with the wider cast of characters.

I received a copy from NetGalley and BookBuzz.net in exchange for an honest review. 

Love on the Line by Anabelle Bryant

 

Love on the Line by Anabelle Bryant

Rating: 4 stars out of 5

"It was the spark that set the inferno ablaze."

This novel follows Lola, a tightrope walker at Vauxhall who is trying to outrun her past, and Theodore, an Earl who only wants to solve the murder of his best friend. The twist? Lola saw the murder happen while she was walking the rope. Who did it will keep you guessing for the rest of the book as Lola and Theodore investigate-- and, of course, fall in love along the way.

I was immediately swept into the beauty and magic of Vauxhall, where Lola preformed. More than once, I found myself wishing that it was still open so I could travel to London and visit myself. After reading this book it's actually incredible to me that more authors don't exploit Vauxhall as a setting in their own Regency Romances. I loved experiencing it on the page and am eager to read further books in Bryant's Vauxhall Voices series, even if only to hear about the waterfall again.

Often, when there's a mystery in a romance book I grow frustrated and just want to see more of the romance, but that was not the case here. I absolutely loved the main mystery of who had killed Theodore's friend, and I also enjoyed the secondary mystery regarding Lola's own past and what exactly had happened to her. Her story is revealed slowly over the course of the book and really held my attention throughout. While both threads were ultimately resolved extremely neatly, I didn't anticipate either resolution and had a lot of fun guessing along the way.

However, the romance itself was mediocre to me. Lola and Theodore had many sweet and tender moments that drew me in, such as her telling him she finds him remarkably attractive in his spectacles. However, their relationship in reality could most accurately be described as insta-lust. Theodore in particular is an incredibly upstanding and moral person, the kind of man any woman would want to be with. But the truth is that Lola has no awareness of that or reason to believe that the first several times that she falls into his arms, overcome by lust. For his part, Theodore spends most of the book not knowing a huge secret Lola is keeping from him-- in fact, you could argue he barely knows her at all. He doesn't even know her real name.

Despite this, their story is sweet, and their love scenes are steamy (in the case of the spectacles, at one point quite literally). I would definitely recommend this to fans of Historical Romance who don't mind a murder mystery featuring quite heavily in the plot.

I received a copy from NetGalley in exchange for an honest review. 

The Runaway Viscount by Darcy Burke

The Runaway Viscount by Darcy Burke
Rating: 3 stars out of 5

I received a copy from NetGalley in exchange for an honest review. 

This was a zippy and sweet little romance that made me want to read more in the Matchmaking Chronicles series.

The book begins in a snowed in inn (see what I did there?) where Juliana, an intelligent and witty widow, and Lucas, who can probably best be described as a rake with a heart of gold who isn't very good at the rake part, encounter one another for the first time. Sparks fly and clothes fly off, but when the snow dissipates Lucas leaves without a word. A few years later they encounter one another at a house party and Juliana might have held just the tiniest grudge. The rest of the book is dominated by will-they-or-won't-they and misunderstandings, which are generally very well done.

I especially loved the wildly entertaining house party shenanigans. Juliana and Lucas' efforts to get one another's attention when, in fact, they already had one another's full attention were both heart-warming and hilarious. It was so obvious that they were besotted with one another that it always felt more like a when will they than a true will-they-or-won't they, but waiting for the when became so very satisfying. The Blind Man's Bluff game, in particular, was perfection.

I also appreciated the author's relatively realistic approach to sex-- clitoral stimulation is needed, when he is carrying her Lucas needs to set Juliana down to open doors and doesn't just kick them in, and the sex itself, while steamy enough, doesn't consist of feats that people who have actually had sexual partners know aren't possible for mere mortals.

However, a few things really weighed on me while I was reading and prevented a higher rating.

The first two chapters, which set the scene for everything that comes, were by far the weakest part of the book, and I actually thought about DNF toward the end of the second chapter. This would have been a mistake, but having never read Burke before I had nothing but those chapters to go on, and I wasn't impressed with them. These chapters were dialogue heavy, without describing much either about the setting or the main character's feelings. Juliana and Lucas did say in the dialogue why they were attracted to one another, but at that point in the book this was very much told and not shown-- for example, Lucas tells Juliana that he is impressed with her wit, but at that point we had not see her be the slightest bit witty. Brazen, perhaps, but not witty.

I also really couldn't buy into the book's stated main conflict. Juliana and Lucas were both very clear during their encounter at the inn that they only intended to be together sexually, and only until the weather improved enough for them to travel. Maybe it's because I'm in my 30's and don't have time for the pettier things life has to offer any more, but I struggled to understand why Juliana was so upset that a one-time sexual partner, who she herself only wanted to be a one-time sexual partner, failed to say goodbye to her and left when he explicitly said he would leave. Did she really have nothing better to stew on in the ensuing 2 years? It would have been different if she had wanted more to come of the liaison, but at that point she was quite insistent, even in her own mind, that she did not want more.

Now, there was a secondary conflict that was in fact far more compelling-- the fact that Juliana "was afraid to acknowledge her true feelings, let alone embrace them." At one point, after finally having this realization, she muses that maybe she is the "Runaway Widow" rather than Lucas actually being the Runaway Viscount, and that resonated with me and gave more dimension to why she was actually so upset that Lucas left. But there was no hint of this whatsoever in the book before her epiphany about it-- in fact mere pages before she was declaring loudly to Lucas and to anyone else who would listen that she didn't want to marry again. I wish this epiphany had somehow been hinted at instead of coming out of the blue.

Finally, there were a few plot threads that left me with very mixed feelings. Minor spoilers do follow. I appreciated that Burke chose to grapple with infertility in the book. I can only recall one other Historical Romance that I've read that approached this topic, and I liked how it was handled during the courtship here-- somehow both matter-of-factly and with the nuance and consideration it deserved, especially in that time period for the nobility. I also appreciated the existence of Lucas' illegitimate daughter. This is something that is also almost never written about in Historical Romance, and given how prevalent illegitimate children actually were during that time period, it was nice to see the topic get attention.

However, I wish the author had the courage to follow the infertility storyline through to its logical conclusion rather than reverse course to give the cliché happily ever after we all already know and love. And it was very hard for me to believe how overjoyed Juliana was at the existence of Lucas' illegitimate child. The fact that she had no mixed feelings about this bombshell after he failed to mention the child's existence for the whole of the house party, even after they were engaged, was really too much for me.  Perhaps, though, it's more a matter of the fact that I can't relate to the things Juliana is upset about versus those she isn't--most of what really gets her going in this book seems petty beyond belief to me, but she just accepts things I'd think of as potential deal breakers of epic proportions with barely a word.

I would recommend this to fans of Historical Romance with a slightly humorous bent and a super sweet Happily Ever After.